Text & Photos by Fred Berger
It was in January 1997 that I made my first trip to New Orleans, a city whose haunted mystique had been firmly established by the gothic horror literature of Anne Rice and Poppy Z. Brite. I had read the former’s 1976 novel Interview with the Vampire and the latter’s 1996 novel Exquisite Corpse, both of which largely take place in its elegantly decadent French Quarter. So strong is the town’s enchanting allure that Trent Reznor and Marilyn Manson each lived and worked there in the 1990s, producing records at Reznor’s famous Nothing Studios, which had formerly been a funeral home. It was here that Manson recorded his breakthrough second album Antichrist Superstar in 1996, galvanized by the Crescent City’s vampiric and voodoo energy. As a source of inspiration for darkly inclined writers, artists, and musicians, there’s nothing comparable to this timeless urban anomaly.
The highlights of my trip to New Orleans began with an excursion to the Angel Club, a favorite haunt of the local goth scene. Cavernous and lavishly decorated, it was the ideal location for a weekly danse macabre, with a young, exuberant, and dressed to kill clientele. Two of the patrons in particular caught my photographer’s eye, a pair of genuine Cajun goth girls, Jessica and Nikki. Their photos appear in this article, one taken at the club and the other two on the following day at Saint Louis Cathedral, the oldest cathedral in America dating back to 1718. My final outing was to the St. Louis #1 cemetery, the city’s first burial ground established in 1789. Its moldering mausoleums and sarcophagi would have made an outstanding backdrop for a photoshoot, but this would have to wait for my next sublime and unforgettable visit to America’s ‘Goth Mecca.’